At first glance, it might look like two images stacked on top of each other — some kind of double exposure or post-production magic. But it’s not. This is all done in-camera.
Let me break it down.
I was parked inside Joshua Tree National Park, just after sunset, when the light starts turning soft and golden-gray. I was in the driver’s seat of my car, and in front of me stood this beautiful, silhouetted Joshua Tree. Behind me, the mountains were glowing in the last light of the day.